PlayMakers Repertory Company (LORT D), in residence at the University of North Carolina, Chapel Hill, seeks a highly motivated & experienced Production Assistant for their 26-27 season. PRC produces a 7-show main stage season in the Paul Green Theatre, thrust stage, and a 3 show Second Stage series in the Kenan Theater, a flexible space, on the campus of the University of North Carolina.

Applicants should possess a BA/BFA in Theatre or commensurate experience, and two or more years of professional Production Assistant and or assistant Stage Management experience. Successful candidates will have proven stage management skills, excellent scheduling/planning, computer, and organizational/communication skills.

The Production Assistant will assist Stage Management for all productions from rehearsal through the run of a production. The PA will be in charge of running crews for productions. Ability to work with and train running crews drawn from undergraduate students is required.

Contract dates are 8/3/26 – 4/25/27, start date negotiable.

Compensation: $21.00 per hour, paid biweekly.

Apply online at: https://unc.peopleadmin.com/postings/314571.

Questions; contact: Michael Rolleri, Production Manager at: mrolleri@email.unc.edu.

The University of North Carolina at Chapel Hill is an equal opportunity and affirmative action employer. All qualified applicants will receive consideration for employment without regard to age, color, disability, gender, gender expression, gender identity, genetic information, race, national origin, religion, sex, sexual orientation, or status as a protected veteran.

Application deadline: 6/8/26

The post PlayMakers Repertory Company seeks Production Assistant appeared first on North Carolina Theatre Conference.

PlayMakers Repertory Company (LORT D), in residence at the University of North Carolina, Chapel Hill, seeks a highly motivated & experienced AEA Stage Manager for their 26-27 season. PRC produces a 7-show main stage season in the Paul Green Theatre, a thrust stage, and 3 show Second Stage series in the Kenan Theater, a flexible space, on the campus of the University of North Carolina.

Applicants should possess a BA/BFA in Theatre or commensurate experience, four or more years of professional Stage Management theatre experience. Successful candidate will have proven stage management skills, excellent scheduling/planning, computer, and organizational/communication skills.

The stage manager will be responsible for organizing daily rehearsals, scheduling, running technical rehearsals, and calling 3-4 main stage shows and 1-2 two second stage shows, as well as assisting on the other 3 main stage shows.

Contract dates are 8/3/26 – 4/25/27, start date negotiable.

Compensation: $27.50-$28.50 per hour, paid biweekly.

Apply on line at: https://unc.peopleadmin.com/postings/317796

Questions; contact: Michael Rolleri, Production Manager at: mrolleri@email.unc.edu.

The University of North Carolina at Chapel Hill is an equal opportunity and affirmative action employer. All qualified applicants will receive consideration for employment without regard to age, color, disability, gender, gender expression, gender identity, genetic information, race, national origin, religion, sex, sexual orientation, or status as a protected veteran.

Application deadline: 6/8/26

The post PlayMakers Repertory Company seeks an AEA Stage Manager appeared first on North Carolina Theatre Conference.

Children’s Theatre of Charlotte’s (CTC) mission is to create exceptional theatre experiences, inspiring generations to explore the wonder of their world. CTC serves approximately 2,000 students throughout a 10-week summer program with a variety of theatre day camps at ImaginOn and our satellite location at Central Piedmont Community College-Levine Campus. At CTC, we continue to see education as a driving force behind the work we do. By inspiring the minds of our youth, we are helping to build a strong future for our community.

This is a non-paid opportunity for high school students. Interns must participate for a minimum of two weeks from June 1 through Aug 14.

Applications are due May 11th, 2026 at 5pm. Folks who get their applications in will receive higher priority in scheduling to those who apply later. All communication of acceptance and schedules may not go out until after May 18th!

Responsibilities
The Junior Intern will serve in an integral role to support our summer educational programming. The junior intern will have responsibilities working with children ages 3-11 including classroom assistance, drop-off and pick-up, snack time, and aftercare. Other responsibilities include minor administrative duties such as following the scheduling, gathering supplies and maintaining organization. The Junior Intern will provide support to the Summer Camp Counselors, Teaching Artists, and Education Administration.

Apply Here

The post Children’s Theatre of Charlotte seeks Summer Junior Interns appeared first on North Carolina Theatre Conference.

Children’s Theatre of Charlotte is looking for exceptional, like-minded artists to be part of their 2026-27 season with 12 productions, including 4 touring shows. Auditions are held once a year at ImaginOn.

View complete information, including rehearsal and performance schedules, here:
https://ctcharlotte.org/Online/article/auditions

Adult actors (age 18+) are compensated at a weekly rate. Student actors gain valuable stage experience rehearsing and performing alongside working professionals.

Unified Auditions for Adults – Ages 18+

Mainstage Productions

• A Year with Frog and Toad
• Dr. Seuss’ How the Grinch Stole Christmas! The Musical
• Charlotte’s Web
• Disney’s Finding Nemo: A Family Musical

Touring Productions

• Beneath the Baobab Tree
• Amelia Earhart
• If You Give A Mouse A Cookie
• Mariposa/Butterfly

Audition Dates: Fri, May 29, 5-9 PM &  Sat, May 30, 11 AM – 5 PM

Callback Dates: Wed, June 3 – Fri, June 5, 5:30-9:30 PM

Adult Audition Application

Unified Auditions for SOTT* Students (Ages 9 – Grade 12)

Audition Dates: Mon, May 18, 4:30-9:30 PM

Callback Dates: Tues, May 26 & Wed, May 27, 5:30-9:30 PM

Students will be cast in one show: Dr. Seuss’ How the Grinch Stole Christmas! The Musical

*Students enrolled in CTC’s School of Theatre Training program

Unified Auditions for all other Students (Ages 9 – Grade 12)

Audition Dates: Tues, May 19, 4:30-9:30 PM

Callback Dates: Tues, May 26 & Wed, May 27 5:30-9:30 PM

Students will be cast in one show: Dr. Seuss’ How the Grinch Stole Christmas! The Musical

Youth Audition Application

The post Children’s Theatre of Charlotte announces 26-27 Unified Auditions appeared first on North Carolina Theatre Conference.

What We Do…

Children’s Theatre of Charlotte is driven in the belief that there is power behind simple acts of kindness. Throughout our work, staff, patrons, and community, we strive to spread kindness wherever we can and to encourage children to act kindly toward others. We are proud to be an organization where a dynamic mix of talented, committed, and enthusiastic people come together to do their best work. 

Come Work with Us!

Bring stories to life—one prop at a time. Every object on stage tells a story. In this role, you’ll help spark imagination, support storytelling, and create moments of wonder for thousands of young audience members.

We’re looking for a skilled and imaginative Props Artisan to join our production team for the 2026–27 season. In this seasonal role, you’ll help create tangible details that transport young audiences into unforgettable theatrical worlds. From handcrafted objects to cleverly sourced pieces, your work will play a vital role in shaping the magic on stage. The ideal candidate is a creative problem-solver who thrives in a collaborative environment, has a sharp eye for detail, and is passionate about building engaging, high-quality props for our audiences.

Approximate Engagement Dates: August 31, 2026 to May 28, 2026 (negotiable based on availability)

What You’ll Do

• Design and build props that bring artistic visions to life, from concept to final finish 
• Collaborate closely with Props Manager, directors, designers, and fellow production team members 
• Source or shop for unique (often whimsical) and practical prop solutions 
• Maintain, repair, and track props throughout each production run 
• Organize and manage prop inventory and storage systems 
• Ensure all props are safe, durable, and appropriate
• Support load-in, technical rehearsals, and strike with the production team.

What We Are Looking For

We’re seeking a creative, collaborative, and highly skilled artisan who thrives in a fast-paced production environment and is passionate about bringing stories to life for young audiences.

• A strong artistic eye for storytelling – You understand how props support character, setting, and narrative, and can translate design concepts into meaningful, stage-ready objects. 
• Versatile fabrication skills – Experience with a range of materials and techniques (wood, foam, soft goods, paint, faux finishes, etc.) and the ability to create durable, high-quality props. 
• Resourcefulness and ingenuity – You’re a creative problem-solver who can work within budgets and timelines, sourcing or inventing solutions as needed. 
• Exceptional attention to detail – You take pride in precision, continuity, and craftsmanship, ensuring every prop looks right and functions reliably. 
• A collaborative spirit – You communicate clearly, take direction well, and enjoy working closely with designers, directors, and production teams. 
• Strong organizational skills – You can manage multiple projects, track inventory, and maintain orderly prop storage and systems. 
• A commitment to safety – You prioritize the safety and durability of all props
• Flexibility and a calm, can-do attitude – You adapt quickly, especially during tech and performance periods, and approach challenges with professionalism and positivity. 
• A passion for theatre – You’re excited to create work that inspires imagination and serves children and families. 

Qualifications & Experience

• 2–4 years of professional experience in props, scenic, or related theatrical production (or equivalent combination of education and hands-on experience) 
• Demonstrated experience in prop fabrication, including a portfolio of completed work 
• Working knowledge of common tools, materials, and construction techniques used in prop building 
• Experience sourcing, shopping, or renting props within a budget 
• Ability to read and interpret design drawings and collaborate from renderings or verbal concepts 
• Strong time management skills with the ability to meet deadlines in a production schedule 
• Comfortable working both independently and as part of a team 
• Availability to work evenings and weekends, especially during technical rehearsals and performances 
• Valid driver’s license (preferred) and ability to run local errands for prop sourcing, as needed

Compensation & Schedule

• Hourly Seasonal full-time position (typically 35–40 hours/week.
• Schedule includes some evenings and weekends during tech and performances
• Compensation is $18/hour.

To Apply

Please submit a CTC Employment Application. In the application process, you will be required to upload a resume. Please upload your portfolio or provide a link to your online portfolio.

The post Children’s Theatre of Charlotte seeks a Props Artisan appeared first on North Carolina Theatre Conference.

Director: Sidney Horton
Musical Director: Ellen Robison
Choreographer: Rachel Peterson

Auditions:
Saturday, May 16th from 2:00 pm-5:00 pm
Sunday, May 17th from 2:00 pm-5:00 pm

Callbacks:
Monday, May 18th from 7:00 pm-7:30 pm

Location:
Matthews Playhouse
Matthews Community Center
100 E McDowell Street
Matthews, NC 28105

Rehearsals:
Generally, rehearsals will be Monday-Thursday evenings (7:00 pm-10:00 pm) and Sundays (2:00 pm-5:00 pm).

Performances:
Pay What You Can: July 9th at 7:30 pm
July 10, 11, 16, 17, 18, 24, and 25 at 7:30 pm
July 11, 12, 18, 19, 25, 26 at 2:00 pm
July 23 at 7:30 (HOLD)

All actors must be available for all performances.

All performance roles are volunteer.

About the Show:
It’s 1962 in Baltimore, and the lovable plus-size teen, Tracy Turnblad, has only one desire – to dance on the popular “Corny Collins Show.” When her dream comes true, Tracy is transformed from social outcast to sudden star. She must use her newfound power to dethrone the reigning Teen Queen, win the affections of heartthrob, Link Larkin, and integrate a TV network… all without denting her ‘do!

Music by Marc Shaiman
Lyrics by Marc Shaiman and Scott Wittman
Book by Thomas Meehan and Mark O’Donnell

Casting Notes
We are looking for:
A diverse cast of actors ages 16 and up of all abilities, identities, and backgrounds who can sing and dance. Leading roles, Supporting and Ensemble roles.

What to Prepare:

All Actors: Please prepare a 30 second to 1 minute comedic monologue (preferably from a musical) as well as 32 measures of a musical theatre song in the style of the show that demonstrates your vocal range. Please bring your own sheet music in the correct key. An accompanist will be provided.

All auditionees will be asked to participate in the dance portion of the auditions. Come prepared to move and either wear or bring shoes and clothing you can move in well.

Submit Audition Form and View Cast Breakdown

The post Matthews Playhouse announces auditions for Hairspray appeared first on North Carolina Theatre Conference.

Music by Alanis Morrisette and Glen Ballard
Book by Diablo Cody

The Creative Team
Director Lormarev Jones
Music Director Mary Kathryn Walston
Choreographer Izzy Murray

Auditions:
At North Raleigh Arts and Creative Theatre
Friday, May 15, 2026 @ 7:00 PM
Saturday, May 16, 2026 @ 7:00 PM

Callbacks:
Saturday, May 23, 2026 @ 1:00 PM

Rehearsals:
Based on actor conflicts, rehearsals will start no earlier than June 28, 2026

Tech Week:
Begins August 15, 2026

Show Dates:
August 21 – September 6, 2026
Fridays & Saturdays at 7:30 PM
Sunday matinees at 3:00 PM

About the show:

Alanis Morissette’s Jagged Little Pill: The Musical is an exhilarating new musical inspired by the themes and raw emotions laid bare in Alanis Morissette’s seminal album of the same name.

The Healys appear to be a picture-perfect suburban family – but looks can be deceiving. When the cracks beneath the surface begin to show, they must choose between maintaining the status quo or facing harsh truths about themselves, their community and the world around them.

Mary Jane Healy is a high-achieving homemaker who will do anything for her family, including their adopted African American daughter Frankie, who is struggling to find her place in their lily-white community. But when the Healys’ lives begin to unravel, Mary Jane’s drive to keep her family together threatens to break them apart.

*Content Warning: Please be aware that this show contains adult language and situations. An intimacy director will assist with managing actor care for these scenes.

AUDITION FORM

CONFLICT CALENDAR

What to Prepare

• Print the CONFLICT CALENDAR and complete the AUDITION FORM online.
• 32 bars of a musical theatre song in the style of the show. (Bring sheet music in the appropriate key; acapella singing is discouraged.)
• Be prepared for a movement/dance audition.
• NOTE: All roles are volunteer positions.

Character Breakdown

Mary Jane Healy (Female, 40’s, White)
An affluent mother in CT, who is addicted to painkillers after a car crash and has a strained relationship with her husband, Steve. MJ also pressures her children to be perfect to maintain the family’s image in the community. Strong Pop/Rock belter F3-F5

Steve Healy (Male, 40’s, White)
Mary Jane’s husband, emotionally distant, the father of the family, struggling with his addiction to pornography. Strong Pop/Rock Singer A3-A5

Nick Healy (Male, to play 18, White)
The biological son of the family, a star Athlete finishing his Senior year of high school who has just been accepted to Harvard. Strong Pop/Rock Tenor D#4-A#5

Frankie Healy (Female, to play 16, Black)
The adopted Black daughter of the family, who is struggling to find her place in the community and deal with her racial identity. Frankie is also involved in a love triangle with her best friend, Jo, and a new boy at school, Phoenix. Strong pop/rock singer F#3-F#5

Jo (AFAB, to play 16, any ethnicity)
Frankie’s best friend and partner, who is queer and dealing with the restrictions of their religious upbringing. Jo is on a journey to explore their gender identity and queerness. This role is listed as assigned female at Birth in the script. Strong pop/rock belter E3-G5

Phoenix (Male, to play 16, any ethnicity)
Transfer student that becomes Frankie’s love interest. Strong pop/rock belter.

Bella (Female, to play 18, any ethnicity)
A free-spirited and outspoken student whose world is shaken after surviving sexual assault. Her story becomes central to the show’s emotional core. Strong Pop/rock singer.

Ensemble
There are several named ensemble roles as well. The director is looking for a diverse ensemble of actor/singer/movers to round out the cast.

The post NRACT announces auditions for Jagged Little Pill appeared first on North Carolina Theatre Conference.

Audition Dates: Sunday, June 14 & Monday, June 15. Auditions will be held at the Old Post Office Playhouse, located at 10 South Main Avenue, Newton, NC  28658.

AUDITION TIMES
Sunday, June 14th- 6:00-9:00pm
Monday, June 15th- 6:00-9:00pm
Callbacks: Tuesday, June 16th 6:00-9:00pm
Rehearsals will begin July 19th

Show Dates: September 11, 12, 13, 18, 19, 20, 25, 26, 27

**You must be available for all performances. Please bring your list of rehearsal conflicts with you. You MUST be able to attend all of the tech week (the week before the show opens) unless in rare emergency cases an exception is approved before being cast by the director.  

CREATIVE TEAM

Director- Gabriel Beech
Music Director- Vicki Harvell
Choreographer- Gina Duckworth
Stage Manager- Sarah Kate Padraza

A message from the creative team: We are seeking all races, ethnicities, body types, gender identities, actors with disabilities, and actors of all ages for roles in this production. We thank you in advance for sharing your talents with us!

NOTE – Auditionees must be at least 18 years old to audition. All performance roles are volunteer.

AUDITION SIGN UPS

Please sign up for a 5 minute audition slot at the link below. Please arrive at least 20 minutes prior to your audition slot to allow time for filling out the audition form and checking in.

SIGN UP FOR AUDITIONS HERE

WHAT TO PREPARE

Please Prepare a 32 bar cut (around 1 minute) of a song in the style of the show. You will be given a side at the callback to cold read in the audition. 

CALLBACKS

Callbacks will be emailed out promptly after the second night of auditions conclude and will be held on the following day (June 16th). Callbacks will include script reads, prepared singing, and a brief movement call. If you are not called back, it does not mean that you are not cast.

CHARACTER BREAKDOWN

BEVERLY & OTHERS: (Female identifying, any ethnicity, playing age 40s–50s) 

An American Airlines pilot, Beverly has always loved flying, but her world is changed when she hears about coworkers who were killed in the attacks, and when she is confronted by passengers who refuse to fly again. Soprano belter with strong high mix up to C#.

DIANE & OTHERS: (Female identifying, any ethnicity, playing age 40s – 60s) 

Diane is a traditional divorcee from Texas, who is terrified that her son may have been flying at the time of the attacks. When she finds out he is safe, she’s given a new lease on life and discovers a wild and carefree side of herself. Contemporary soprano or mezzo with strong mix up to a D.

HANNAH & OTHERS: (Female identifying, any ethnicity, playing age 40s-50s) 

Hannah is the mother of a firefighter in Manhattan. She waits for news about her son and is comforted by Beulah. Contemporary soprano with strong high mix up to E.

JANICE & OTHERS: (Female identifying, any ethnicity, playing age 20s-40s) 

A local TV reporter, Janice is thrown into the deep end on her first day. Initially naive about the ways of the world, Janice must face the pain and confusion around her and learn to grasp the cold realities. Contemporary soprano with strong belt and mix up to E.

BEULAH & OTHERS: (Female identifying, any ethnicity, playing age 40s–60s) 

Head of the Gander Legion, with a firefighter son, she befriends Hannah and walks to church and prays with her. Quick-witted and open hearted, Beulah loves to share a joke. Mezzo w\ strong belt up to B.

BONNIE & OTHERS: (Female identifying, any ethnicity, playing age 40s–60s) 

A no–nonsense mother of 3, Bonnie is the head of the Gander area SPCA. When she discovers animals are trapped on the planes, she stops at nothing to ensure their safety. Mezzo with strong belt up to B.

OZ & OTHERS: (Male identifying, any ethnicity, playing age 30s–50s) 

The quirky constable in the two–person Gander police force. When the town’s population suddenly doubles, Oz helps out in unexpected ways. Tenor up to G.

KEVIN T. & OTHERS: (Male identifying, any ethnicity, playing age 20s–40s) 

The head of an environmental energy company in Los Angeles, Kevin was on vacation with his boyfriend (and secretary, also named Kevin), when they were stranded in Gander. Inspired by the town’s generosity, Kevin creates the ‘Pay It Forward Foundation.’ Tenor up to G.

KEVIN J. & OTHERS: (Male identifying, Latino, Asian, Middle Eastern, or any ethnicity, playing age 20s-40s) 

Kevin’s boyfriend and secretary. Sarcastic and unhappy, he is eager to leave Gander and get back to the U.S. as soon as possible. Tenor or Baritone.

BOB & OTHERS: (Male identifying, African–American, playing age 20s–40s) 

A hardened New Yorker, Bob is suspicious of where he’s landed, fearing that it’s World War 3, that someone is going to shoot him and steal his wallet – but instead he ends up losing his New York jadedness. Baritone.

CLAUDE & OTHERS: (Male identifying, any ethnicity, playing age 40s–60s) 

The gregarious and well-liked Mayor of Gander, Newfoundland, Claude loves his work, the townspeople, and his daily traditions, but he’s never had to deal with a crisis of this magnitude. Baritenor/Tenor up to G.

NICK & OTHERS: 

Male identifying, any ethnicity, playing age 50s–60s) 

An English oil engineer who is focused on his work, Nick’s life is turned upside down when he falls for another passenger, Diane. Baritone or Baritenor up to E

The post The Green Room Community Theatre announces auditions for Come From Away appeared first on North Carolina Theatre Conference.

Self-Tape Auditions for the North Carolina premiere of SOVEREIGNTY

By Mary Katheryn Nagle
Directed by Carolyn Dunn

There will be 14 performances:
August 21 – September 13, 2026
First 3 weeks of performances will be held at the Arts Factory in Charlotte, NC.
The final weekend will be performed in Cherokee, NC.

When
Self-Tape Audition Submissions are due May 1, 2026 at 11:59PM EST.
Virtual Callbacks will be held during the week of May 11, 2026.

Schedule

• Virtual rehearsals will tentatively start the week of July 22-25, 2026 
• In Person rehearsals will begin July 27. Rehearsals will go through August 15. A specific rehearsal calendar with times and breakdowns will be provided to the cast in July.
• Technical/Dress Rehearsals will be August 16-20
• Charlotte Performances are set for August 21-23, 27-30, and September 3-6.
• Cherokee Performances will be September 11-13
• No conflicts will be allowed between August 11 – September 13, 2026

Self-Tape Instructions:

Step 1: Preparation

• Please read through the cast breakdown and audition sides to determine who you would like to audition for.​
• Set up your recording area. Ideally, videos will be shot from the waist up with a plain background.

Step 2: Recording

• Please slate your name, age, and what location you’re based out of (i.e. Charlotte, Oklahoma, NYC) at the beginning of your video
• Before beginning your side, please state which side you will be performing.
• For sides that are with multiple characters, please have a someone read the other lines off camera.

Step 3: Submission

• Please post your self-tape as an Unlisted YouTube video (click here for a step by step tutorial).
• Go to threebonetheatre.com/audition and fill out the audition form. This is also where you will put your YouTube link as well as uploading your resume and headshot.
• Audition forms and tapes are due by May 1, 2026 at 11:59PM EST. Callbacks are tentatively scheduled the week of May 11th. If you receive a callback, you will get an email from Three Bone Theatre no later than May 9th.

Tips

• Know your scene
  • Read the full script or sides multiple times
• ​Set up a clean space
  • Plain wall behind you
  • Good light on your face (window or lamp in front)
  • Quiet room
• Have a friend read with you if there are other characters in the scene. They should be off camera.
• Set your camera
  • Eye level
  • Chest/waist up
  • Usually horizontal (landscape)
• Pick your eyeline
  • Look just next to the camera (not into it)
  • Imagine the other person there
• Keep it simple (appearance)
  • Solid, simple clothes. No costumes or busy patterns
• Do a quick slate
• Relax, you got this!
  • You can record 2–3 takes. Don’t overdo it
• Please only submit one audition take.
  • Check before sending
  • Can you be seen clearly?
  • Can you be heard clearly?

Complete the Audition Form

About The Play

Pesent-day Oklahoma, a young Cherokee lawyer, Sarah Ridge Polson, and her colleague Jim Ross defend the inherent jurisdiction of Cherokee Nation in the U.S. Supreme Court when a non-Indian defendant challenges the Nation’s authority to prosecute non-Indian perpetrators of domestic violence. Their collaboration is juxtaposed with scenes from 1835, when the Cherokee Nation was eight hundred miles to the east in the southern Appalachians. That year, Sarah’s and Jim’s ancestors, historic Cherokee rivals, were bitterly divided over a proposed treaty with the administration of Andrew Jackson, the Treaty of New Echota, which led to the nation’s removal to Oklahoma on the infamous Trail of Tears.

A direct descendant of nineteenth-century Cherokee leaders John Ridge and Major Ridge, Mary Kathryn Nagle has penned a play that twists and turns from violent outbursts to healing monologues, illuminating a provocative double meaning for the sovereignty of both tribal territory and women’s bodies. Taking as its point of departure the story of one lawyer’s passionate defense of the rights of her people to prosecute non-natives who commit crimes on reservations, Sovereignty opens up into an expansive exploration of the circular continuity of history, human memory, and the power of human relationships.​

Character Breakdown​

• We practice identity conscious casting! We consider the complexities of identities integral to the characters. Genders/Races/Ages of the characters are included in the descriptions.
• Actors of any genders, sizes, abilities/disabilities, and other identities are invited to audition for these roles.
• All roles are paid and non-union. Stipends will be $150-350/week depending on the actor’s travel and role.

We will cast 9 actors.​

​JOHN RIDGE – (Male, Native American, 20s-30s) The son of Major Ridge, John Ridge was an influential leader in Cherokee Nation from the 1820s to his assassination in 1839. He served as a clerk to Cherokee Nation National Committee (the Council), and, with his father, signed the Treaty of New Echota.​

SARAH RIDGE POLSON – (Female, Native American, 20s-30s) A direct descendant of Major Ridge, and of John Ridge and Sarah Bird Northup, Sarah is a graduate of Yale Law School and a citizen of Cherokee Nation who returns home to Cherokee Nation after a long absence.

MAJOR RIDGE/ROGER RIDGE POLSON – (Male, Native American, 50s-70s) Given the title “Major” after fighting with General Andrew Jackson in the War of 1812, Major Ridge was an influential leader in Cherokee Nation politics from the 1810s until his assassination in 1839. He served many yeas as the speaker of Cherokee Nation Council and as Chief John Ross’s assistant, until the divide that takes place in this play. He and his son were among those who signed the Treaty of New Echota in 1835, which became the basis for the forcible removal know as the Trail of Tears.Roger Ridge Polson is also a direct descendant of Major Ridge and the others. Rodger is the father of Sarah Ridge Polson and Watie Polson.

ELIAS BOUDINOT/WATIE – (Male, Native American, 20s-30s) Elias’ father was Major Ridge’s brother. Elias went to Cornwall for school with his cousin John Ridge and then returned home to Cherokee Nation and became the first editor of the Cherokee Phoenix, the first printed paper of an Indian Nation. He also signed the Treaty of New Echota in 1835. Watie is Sarah Ridge Polson’s brother and Rodger (Ridge) Polson’s son. He works for the Cherokee Nation police force.

JOHN ROSS/JIM ROSS – (Male, Native American, 30s-40s) John Ross is the Chief of Cherokee Nation from 1828 until his death in the 1860s. John Ross led Cherokee Nation through significant turmoil, including the removal and the Civil War. he is revered by Cherokees today as one of the most important Cherokee leaders of all time.

Jim Ross is a direct descendant of John Ross. Jim is Sarah Ridge Polson’s boss in the attorney general’s office.

ANDREW JACKSON/BEN – (Male, White, 50s-60s) Andrew Jackson is an American solider and statesman who served as president of the United States from 1829 to 1837. He believed Indians were an inferior race that should disappear from the face of the earth.Ben is a Special Victims Unit police office in present-day Oklahoma. He becomes Sarah Ridge Polson’s finace. He is non-Indian.

SAMUEL WORCESTER/MITCH– (Male, White, 40s-60s) Samuel Worchester is a white man who went to live in Cherokee Nation as a missionary. He worked with Elias Boudinot to translate the Bible into Cherokee. His arrest in 1832 sparked one of the most significant Supreme Court cases in United States history, Worcester v. Georgia.

Mitch is a lawyer, non-Indian, living in Oklahoma. He is the childhood friend of Sarah and Watie

SARAH BIRD NORTHRUP/FLORA RIDGE – (Female, White, 20s-30s) Sarah Bird Northrup is John Ridge’s wife and the daughter of a schoolmaster in Cornwall Connecticut. She is non-Indian. Flora is a direct descendant of Major Ridge and a citizen of Cherokee Nation. Flora runs the family cemetery where Major Ridge and John Ridge are buried, just a few hundred yards from where John was murdered. Sarah and Watie are her niece and nephew, and Rodger is her brother.

CHORUS MAN: GOVERNOR FORSYTH, GEORGIA GUARD, WILLIAM WIRT, REVEREND SCHERMERHORN, DRUNK MAN, BARTENDER (Male, White, 30s-40s)

Audition Sides
Access the audition sides for Sovereignty here.
If you have any issues – please email hailey@threebonetheatre.com

The post Three Bone Theatre announces auditions for Sovereignty appeared first on North Carolina Theatre Conference.

Davidson Community Players (DCP), one of the Charlotte region’s most prolific theatre producers, is seeking a Director of Development to lead a pivotal chapter in our growth. DCP is in the midst of an ambitious capital campaign to renovate our historic Armour Street Theatre, and we are looking for a connector, a builder, and a true believer in the power of community theatre to anchor a region’s cultural identity.

This is a rare opportunity to join a thriving arts organization at a transformational moment — and to help shape what DCP looks like for the next generation of supporters, artists, and audiences.

This position reports to DCP’s Executive Director, Steve Kaliski.

This position is open until filled.

Job Duties

Capital Campaign

• Leading and executing DCP’s capital campaign for the renovation of Armour Street Theatre, including donor cultivation, solicitation, and stewardship at all levels.
• Developing and managing a campaign timeline, tracking progress toward goals, and reporting regularly to leadership and the board.
• Partnering with board members and volunteers to activate their networks in support of campaign goals.

Individual & Major Giving

• Designing and implementing a comprehensive individual giving strategy, including annual fund, mid-level, and major gift programs.
• Building and managing a personal portfolio of major gift prospects, with a focus on moving donors through a structured cultivation and solicitation cycle.
• Getting out into the Davidson, North Charlotte, and Lake Norman communities to identify, engage, and steward the next generation of arts supporters.

Foundation & Planned Giving

• Developing and directing strategies for foundation giving, including identifying new prospects and deepening relationships with existing funders.
• Launching and growing a planned giving program, including marketing, prospect identification, and donor recognition.

Grants & Administration

• Occasionally researching and writing grant proposals and reports in partnership with program staff.
• Maintaining accurate donor records and tracking all fundraising activity in DCP’s donor database.
• Collaborating with marketing and communications staff to support donor-facing materials and appeals.

Desired Qualifications

• 3+ years of nonprofit development experience, with demonstrated success in major gifts, capital campaigns, or planned giving.
• Proven track record executing or supporting a capital campaign.
• A natural relationship-builder who is energized by community engagement and comfortable cultivating donors at all levels.
• Innovative, entrepreneurial mindset with the ability to build and grow programs from the ground up.
• Strong written and verbal communication skills.
• Experience with donor databases and CRM platforms.
• Genuine enthusiasm for the arts and an understanding of DCP’s mission and community role.

Compensation and Benefits

This is a full-time, salaried position with comprehensive benefits that include health, dental, and vision. DCP has a flexible, generous PTO policy and encourages outside creative work when it doesn’t conflict.

Salary: $60–80K range, commensurate with experience.

To Apply

Email Steve Kaliski at steve@davidsoncommunityplayers.org with cover letter, resume, and contact info for 3 references.

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