Position: Ticketing Services Specialist
Job Type: Part Time
Pay Rate: $16.07/hour

Application Link: https://workforcenow.adp.com/mascsr/default/mdf/recruitment/recruitment.html?cid=e607331b-bbfb-469d-abda-170924e68e72&ccId=19000101_000001&lang=en_US  

Are you looking to make a lasting impact on enriching and improving the lives of the Charlotte community with one of the nation’s largest not-for-profit organizations? At Blumenthal Arts, we believe arts unite and transform lives. By joining our team, you could help continue our mission, inspire the next generation, and be part of our evolution as a national leader with a growing international reputation in presenting and producing.

The Ticketing Services Specialist is a part-time position averaging approximately 20 hours per week, with most hours scheduled during evenings and weekends, at performances and special events to support box office operations across Blumenthal Arts venues. Working under the direction of the Ticketing Services Manager, this role is responsible for supporting daily ticketing operations, processing ticket transactions, reconciling sales activity, and ensuring a seamless guest experience. Depending on assignment, the Specialist may serve as the lead-on-duty for a shift, providing guidance and operational oversight, while on other shifts working collaboratively as part of the ticketing team to support event success. The position delivers exceptional customer service by assisting patrons with ticketing needs, resolving concerns, and providing accurate information about performance and venue policies.

Your impact:

Ticketing Operations

• Serve as the lead-on-duty during assigned shifts, overseeing in-person ticketing operations and ensuring efficient box office operations.
• Open and close assigned box office locations in accordance with departmental procedures.
• Process ticket sales, exchanges, will call, refunds, and other in-person ticketing transactions.
• Monitor box office operations and make operational decisions to maintain efficient service during assigned shifts.
• Prepare ticketing settlements and reconcile sales activity for assigned performances.
• Fulfill internal ticketing requests, including complimentary tickets, programming requests, and other organizational ticketing needs.
• Maintain ticket stock, office supplies, and operational materials for assigned box office locations.
• Communicate operational issues, staffing needs, customer concerns, and other significant incidents to the Ticketing Services Manager.

Customer Service

• Maintain a thorough knowledge of current performances, venue policies, pricing, promotions, and ticketing procedures to effectively assist customers and support event operations.
• Deliver exceptional customer service before, during, and after performances.
• Resolve customer concerns and escalated service issues by exercising sound judgment and applying organizational policies.
• Support customers with ticket purchases, exchanges, account assistance, and general ticketing inquiries.
• Represent Blumenthal Arts professionally while fostering a welcoming and positive customer experience.

Team Support

• Provide day-to-day leadership, guidance, and support to assigned Ticketing staff during performances and special events.
• Assist in training and mentoring new Ticketing staff on departmental procedures, customer service standards, and ticketing operations.
• Perform other related duties as assigned.

Who We Are:

For over 30 years, Blumenthal Arts has been presenting the best of Broadway which has established us as a top-ten touring market. By investing in Tony Award-winning Broadway, we shape the future of arts through new and original works and by nurturing artists. We support local artists, like our Blumenthal Fellows and 16 resident companies that share our stages. Through Blume Studios, we are leading the way in innovative, immersive productions that expand how audiences experience the arts. We infuse more than $80 million annually into our local economy and ensure access through our Blumenthal Bridges Access Grants, which serve thousands of individuals each year with free and subsidized tickets and programs.

We are a diverse team of leaders, innovators, transformers, and collaborators who believe in the inspirational and uniting spirit of the arts. Our mission to use the arts as a catalyst for education, community connectedness, and economic growth drives our work. Our team infuses skills from various backgrounds and industries to continue to provide art excellence to the Charlotte community.

Why Join Us:

We prioritize our employees’ well-being by offering a comprehensive benefits package that not only includes competitive compensation but also emphasizes work-life balance. Our employee-forward approach fosters an environment where individuals can thrive both personally and professionally.

Our benefits package includes:

• Medical insurance with low-cost premium for employee only coverage, plus FSA and employer-funded HRA options
• Paid vacation, sick leave, and holiday time to recharge with your loved ones
• Life Balance Reimbursement up to $125 a month for qualifying expenses such as transportation, parking, and wellness-related memberships
• Flexible schedules
• Complimentary tickets
• Vision and dental insurance
• Retirement savings with a 3% employer match to help secure your future
• And more!

Skills You’ll Bring:

• High school diploma or equivalent required; associate’s or bachelor’s degree preferred.
• Minimum two (2) years of experience in ticketing, customer service, hospitality, live entertainment, or a related field; or an equivalent combination of training and experience.
• Previous experience serving in a lead or supervisory capacity preferred.

• Experience with AudienceView Unlimited or a comparable ticketing system preferred.
• Strong knowledge of ticketing operations and customer service best practices.
• Ability to exercise sound judgment and make operational decisions in a fast-paced environment.
• Excellent customer service, communication, and interpersonal skills.
• Strong organizational, problem-solving, and time management abilities.
• Ability to lead box office operations while working collaboratively with staff and internal partners.
• Proficiency with Microsoft Office 365 and ticketing software systems.
• Ability to work flexible hours, including evenings, weekends, and holidays as operational needs require.

The post Blumenthal Arts seeks a Ticketing Services Specialist appeared first on North Carolina Theatre Conference.

Position: Technical Production Manager 
Job Type: Full Time
Offer Range: $22.45 – $30.80

Application Link: https://workforcenow.adp.com/mascsr/default/mdf/recruitment/recruitment.html?cid=e607331b-bbfb-469d-abda-170924e68e72&ccId=19000101_000001&lang=en_US  

Are you looking to make a lasting impact on enriching and improving the lives of the Charlotte community with one of the nation’s largest not-for-profit organizations? At Blumenthal Arts, we believe arts unite and transform lives. By joining our team, you could help continue our mission, inspire the next generation, and be part of our evolution as a national leader with a growing international reputation in presenting and producing.

Blumenthal Arts is seeking a Technical Production Manager to play a critical leadership role in delivering exceptional arts and entertainment experiences across its venues and campuses. Reporting to the Director of Production and Lead Technical Production Manager, this position oversees assigned events and theatrical systems—including lighting, audio/visual, electrical, networking, and rigging—ensuring their safe and efficient operation. The role supervises stage and technical crews, collaborates with clients and internal stakeholders, and manages advancing, budgeting, equipment coordination, and contract review to support seamless onstage and backstage execution. In addition to hands-on technical leadership, the position provides administrative oversight including payroll, reporting, compliance, and adherence to industry best practices. This position may require 40+ hours per week, including evening, weekend, and holiday shifts to support productions.

Your impact:

• Supervise stage/technical crew members, interns, and other employees as necessary and provide oversight of stage, sound, and lighting equipment for events and activities.  
• Provide departmental human resources support for subordinate staff and crew – including conflict resolution, payroll, developing reports, and new hire on-boarding.  
• Manage theatrical systems including fly systems, electrical audio and video systems, and rigging.   
• Design, Source, Install, Inventory, Operate, and Service theatrical equipment systems and infrastructures.  
• Meet with clients, vendors, and other departmental personnel to discuss requirements for projects and events.  
• Assist in determining budgets, space design, coordinating equipment usage, assessing labor needs, schedules, and reviewing contracts, etc. for projects and events.  
• Assists in managing technical needs at all theaters and campuses as needed.  
• Ensure compliance with applicable Blumenthal Performing Arts policies, procedures, regulations and standards for quality and safety.  
• Responsible for completion of all necessary internal and external paperwork including daily reports, payroll reports, show reports, contracts and rider review, blueprints, etc.   
• Observe, stay up to date with, and follow industry accepted best practices.  
• Perform other duties as assigned.   

Who We Are:

For over 30 years, Blumenthal Arts has been presenting the best of Broadway which has established us as a top-ten touring market. By investing in Tony Award-winning Broadway, we shape the future of arts through new and original works and by nurturing artists. We support local artists, like our Blumenthal Fellows and 16 resident companies that share our stages. Through Blume Studios, we are leading the way in innovative, immersive productions that expand how audiences experience the arts. We infuse more than $80 million annually into our local economy and ensure access through our Blumenthal Bridges Access Grants, which serve thousands of individuals each year with free and subsidized tickets and programs.

We are a diverse team of leaders, innovators, transformers, and collaborators who believe in the inspirational and uniting spirit of the arts. Our mission to use the arts as a catalyst for education, community connectedness, and economic growth drives our work. Our team infuses skills from various backgrounds and industries to continue to provide art excellence to the Charlotte community.

Why Join Us:

We prioritize our employees’ well-being by offering a comprehensive benefits package that not only includes competitive compensation but also emphasizes work-life balance. Our employee-forward approach fosters an environment where individuals can thrive both personally and professionally.

Our benefits package includes:

• Medical insurance with low-cost premium for employee only coverage, plus FSA and employer-funded HRA options
• Paid vacation, sick leave, and holiday time to recharge with your loved ones
• Life Balance Reimbursement up to $125 a month for qualifying expenses such as transportation, parking, and wellness-related memberships
• Flexible schedules
• Complimentary tickets
• Vision and dental insurance
• Retirement savings with a 3% employer match to help secure your future
• And more!

Skills You’ll Bring:

• Bachelor’s degree in Technical Theater or related field
• At least 5 years of experience in technical theater, preferably for a large multi-theater venue
• ETCP certifications preferred   
• Crowd management certified preferred  
• OSHA 10 or OSHA 30 certified preferred  
• Advanced technical theatre knowledge including proficiency in lighting or audio  
• Excellent communication skills  
• Experience with AutoCAD, Vectorworks, or Lightwright design software  
• Experience with Microsoft Office applications including Outlook, Excel, Visio, PowerPoint, and use of cloud-based file sharing  
• Lighting and/or sound console networking and operations knowledge  
• Ability to understand and troubleshoot theatrical system issues including signal flow, digital and analog systems, and networking systems.  
• Verbal, numerical, and spatial aptitude  
• Experience with Q-Lab programming and operations  
• Basic understanding of projection and video equipment including HD, SDI, DVI  
• Time management and the ability to coordinate and delegate responsibilities  
• Budgeting and resource management  
• Data Conception and Interpretation  
• Project management knowledge  
• Organized, creative, engaging, knowledgeable, and respectful  

The post Blumenthal Arts seeks a Technical Production Manager appeared first on North Carolina Theatre Conference.

Position: Digital Marketing Manager
Job Type: Full Time
Salary Range: $55,000 – $75,700

Application Link: https://workforcenow.adp.com/mascsr/default/mdf/recruitment/recruitment.html?cid=e607331b-bbfb-469d-abda-170924e68e72&ccId=19000101_000001&lang=en_US  

Are you looking to make a lasting impact on enriching and improving the lives of the Charlotte community with one of the nation’s largest not-for-profit organizations? At Blumenthal Arts, we believe arts unite and transform lives. By joining our team, you could help continue our mission, inspire the next generation, and be part of our evolution as a national leader with a growing international reputation in presenting and producing.

The Digital Marketing Manager leads Blumenthal Arts’ digital marketing efforts, developing strategies that drive ticket sales, expand audience reach, and maximize performance across digital channels. This role oversees paid media campaigns, email marketing, website optimization, SEO, and digital analytics, using data-driven insights to improve engagement and revenue growth. The position will play a key leadership role in the organization’s website rebuild, collaborating with internal teams and external partners to deliver an accessible, audience-focused digital experience. The Digital Marketing Manager manages agency and vendor relationships, monitors campaign performance, and recommends strategic adjustments to enhance results and return on investment. Working closely with Marketing, Ticketing, and Revenue Optimization teams, this role ensures digital initiatives align with organizational goals and customer needs. Occasional evening and weekend hours are required to support events and promotional activities.

Your impact:

Website

• Oversee the organization’s website rebuild and ongoing website development
• Manage website agency/vendor relationships and project deliverables
• Ensure effective integration between the website, ticketing platform and other key systems
• Maintain and optimize the website and e-commerce experience to support ticket sales, ADA accessibility, AI search visibility and evolving digital standards
• Oversee SEO strategy and website search performance

Paid Digital Media Strategy

• Lead paid digital media strategy across Meta, Google, YouTube, TikTok and other relevant platforms
• Oversee digital media agency relationships, campaign execution and performance
• Develop campaign copy and provide direction on creative assets to support digital performance
• Monitor spend, ROAS and key performance indicators and recommend optimizations
• Identify opportunities across targeting, channel mix and investment to improve results

Email Strategy & Audiences

• Lead email strategy to support ticket sales, audience growth and engagement
• Oversee email marketing vendors, campaign execution and performance
• Develop audience segmentation and targeting strategies using ticket buyer behavior and purchase data
• Develop automated customer journeys to deliver personalized, timely communications throughout the patron lifecycle
• Monitor email performance and identify opportunities for testing, personalization and optimization

Digital Performance & Analytics

• Own reporting and analysis of digital marketing performance, including ticket sales, revenue, ROAS and conversion rates
• Use performance insights to optimize campaigns and improve conversion throughout the customer journey.
• Develop and maintain revenue attribution across digital marketing channels
• Monitor sales pace and ticket inventory alongside digital campaign performance to identify opportunities and areas of need
• Recommend and implement shifts in digital spend, targeting and channel strategy based on campaign and sales performance

Who We Are:

For over 30 years, Blumenthal Arts has been presenting the best of Broadway which has established us as a top-ten touring market. By investing in Tony Award-winning Broadway, we shape the future of arts through new and original works and by nurturing artists. We support local artists, like our Blumenthal Fellows and 16 resident companies that share our stages. Through Blume Studios, we are leading the way in innovative, immersive productions that expand how audiences experience the arts. We infuse more than $80 million annually into our local economy and ensure access through our Blumenthal Bridges Access Grants, which serve thousands of individuals each year with free and subsidized tickets and programs.

We are a diverse team of leaders, innovators, transformers, and collaborators who believe in the inspirational and uniting spirit of the arts. Our mission to use the arts as a catalyst for education, community connectedness, and economic growth drives our work. Our team infuses skills from various backgrounds and industries to continue to provide art excellence to the Charlotte community.

Why Join Us:

We prioritize our employees’ well-being by offering a comprehensive benefits package that not only includes competitive compensation but also emphasizes work-life balance. Our employee-forward approach fosters an environment where individuals can thrive both personally and professionally.

Our benefits package includes:

• Medical insurance with low-cost premium for employee only coverage, plus FSA and employer-funded HRA options
• Paid vacation, sick leave, and holiday time to recharge with your loved ones
• Life Balance Reimbursement up to $125 a month for qualifying expenses such as transportation, parking, and wellness-related memberships
• Flexible schedules
• Complimentary tickets
• Vision and dental insurance
• Retirement savings with a 3% employer match to help secure your future
• And more!

Skills You’ll Bring:

• Bachelor’s degree in Marketing, Communications, Business, Digital Media, or a related field and a minimum of five (5) years of progressive experience in digital marketing, including paid media, email marketing, website management, digital analytics, and conversion optimization; or an equivalent combination of education and experience.
• Demonstrated success developing, executing, and optimizing integrated digital marketing campaigns that drive ticket sales, revenue growth, customer acquisition, audience engagement, or other measurable conversion goals.
• Experience leading website development, redesign, or major enhancement projects, including collaboration with internal stakeholders, external vendors, and technology partners.
• Experience managing digital marketing agencies, consultants, vendors, and strategic partners, including oversight of project deliverables, performance, and budget utilization.
• Experience with CRM, email marketing, marketing automation, and audience segmentation platforms required; experience with AudienceView, Audience Republic, and Mailchimp preferred.
• Experience analyzing marketing, sales, and customer data to develop insights, measure campaign effectiveness, and inform strategic decision-making.
• Experience in performing arts, live entertainment, ticketing, attractions, hospitality, e-commerce, or another highly consumer-focused industry preferred.
• Professional digital marketing certifications such as Google Analytics, Google Ads, Meta Blueprint, HubSpot, or similar credentials preferred.
• Strong knowledge of digital marketing strategy, paid media, email marketing, audience segmentation and customer journey development
• Strong understanding of website management, e-commerce, SEO and digital user experience
• Proficiency with digital analytics and advertising platforms, including Google Analytics, Google Ads and Meta Ads Manager
• Ability to analyze digital and sales data, evaluate campaign performance and translate findings into actionable recommendations
• Knowledge of CRM/email marketing platforms, marketing automation and audience segmentation best practices
• Strong project management skills with the ability to oversee complex initiatives, including website development and vendor-led projects
• Excellent written and verbal communication skills, including the ability to develop effective digital marketing copy
• Ability to collaborate effectively across Marketing, Ticketing, Revenue Optimization and other internal teams and external partners

The post Blumenthal Arts seeks a Digital Marketing Manager appeared first on North Carolina Theatre Conference.

NRACT Announces Auditions for Almost, Maine by John Cariani

Director: Amelia Lumpkin

Stage Manager: Sareek Hosein

About the Show:
Welcome to Almost, Maine, a place that’s so far north, it’s almost not in the United States. It’s almost in Canada. And it’s not quite a town, because its residents never got around to getting organized. So it almost doesn’t exist. One cold, clear, winter night, as the northern lights hover in the star-filled sky above, the residents of Almost, Maine, find themselves falling in and out of love in unexpected and hilarious ways. Knees are bruised. Hearts are broken. But the bruises heal, and the hearts mend – almost – in this delightful midwinter night’s dream.

What to Prepare:
1 min contemporary monologue emphasizing sincerity and/or comedy. Actors may select their own monologue from any work or use a provided monologue from Almost, Maine. Memorization is preferred.

Fill out and bring the conflict calendar and sign up on the website audition form.

Important Dates:

AUDITIONS
Sunday Sept 13 6:30 pm
Monday Sept 14 7:30 pm
Video submissions due Saturday Sept 12

CALLBACKS
Sept 20 6:30 pm

Rehearsal Dates: October 12 – Dec 2

No conflicts accepted November 29 and onward

Note: there will be Thanksgiving break November 24-28

Shows: Dec 3-13
Thursday, Friday, and Saturday at 7:30pm
Sunday at 3:00pm

The post NRACT announces auditions for Almost, Maine appeared first on North Carolina Theatre Conference.

Jane Austen’s Sense and Sensibility, adapted by Jessica Swale

Auditions: September 21 & 22

Performances: November 13 – 22

Address: Holly Hill Mall, 209 Huffman Mill Rd, Burlington

Audition Information:

• Callbacks (if needed) will be sent by email or text.
• Most directors require a SignUp Genius time slot (see below)
• Complete Audition Forms (available in the lobby).
• Conflict Calendar (included in forms) must be filled out completely before auditioning.
• Your picture will be taken after paperwork is complete.
• Optional: bring a headshot & résumé (not returned).
• Please prepare 30 seconds of a monologue in the style of the play. Be prepared to perform it in a couple of different ways. No sides will be available.

Sign up to audition here.

The post Studio 1 announces auditions for Sense and Sensibility appeared first on North Carolina Theatre Conference.

Raleigh Little Theatre is seeking performers for its upcoming production of Cinderella, based on the fairy tale by Charles Perrault, adaptation and lyrics by Jim Eiler, music by Jim Eiler and Jeanne Bargy. This show will be presented in the Cantey V. Sutton Theatre.

About the show
RLT’s holiday tradition returns to celebrate its 42nd year! Kids of all ages will love this retelling of the beloved fairy tale, filled with music, laughs, and a sparkle of magic. This musical comedy features elegant costumes and scenery and a cast of memorable characters including some conniving step-relatives, royals, everyone’s favorite resourceful Fairy Godmother, and Ella, of course!

Cinderella-Prince Street Players Version is presented through special arrangement with
Music Theatre International (MTI). All authorized performance materials are also supplied
by MTI. www.mtishows.com

Directed by Nathalie Tondeur
Music Directed by Christian Lamøy Stahr
Choreographed by Avis Hatcher-Puzzo
Costume Design by Jenny Mitchell

Important dates
Audition Information Session: September 21 (Monday) 7-8pm [Register on Zoom here]
This information session will include an overview of the audition process, forms, and guidance on how to prepare. This is a great session to attend if you have never auditioned for a show before, never volunteered at RLT, or if you would like to hear more from the creative team about the process and show.

General Auditions: October 5, 2026 (Monday) and October 6, 2026 (Tuesday) 7pm-10pm

Callback List: posted on RLT website by October 8, 2026 (Thursday) 12pm

Callbacks: October 8, 2026 (Thursday) 7-10pm

Cast List: October 12, 2026 (Monday) by 5pm

Rehearsals: October 19 – November 23, 2026; Mondays, Tuesday, Thursdays, and Fridays 7-10pm, with some flexibility on Wednesdays and weekends. No rehearsal on Tue, Wed and Thu of Thanksgiving week.

Tech rehearsals: November 28, 2026 (Saturday) and November 29, 2026 (Sunday), typically 10:00am-6:00pm, exact times TBD

Tech dress rehearsals: November 30 – December 2, 2026 (Monday through Wednesday)

Preview: December 3, 2026 (Thursday) 7:30pm

Performances: 7:30pm Fridays, and 10:30am & 3:00pm Saturdays and Sundays, December 4 – 20, 2026

Student Matinees: 10:30am Tuesday, December 8; 10:30am Wednesday, December 9; 10:30am Tuesday, December 15; and 10:30am Wednesday, December 16.

Strike: Immediately following the last performance on December 20. All cast members are expected to stay for strike.

A conflict calendar is available at this link for reference.

About the roles
Raleigh Little Theatre encourages actors of any ethnicity, identity, ability, etc. to audition for any role. If the script requires strict adherence to any characteristic(s), those will be listed in the character description. The characteristics describe the characters in the play.

CINDERELLA (Female, Age presenting 18-25) A smart and idealistic young woman who loves to read and loves math. She is fond of dancing, loves art and music, and longs to see the world—but like all of us from time to time, she’s stuck in a bad situation and needs help.

PRINCE CHARMING (Male, Age presenting 18-30) A smart, handsome young man who is lonely. While he longs to find that “certain someone” to cherish and to share his royal life with him, he’s not terribly happy about having to find her under a deadline.

KING/QUEEN DARLING III (Female or Male, Age presenting 30+) He or she may “rule their land with a gentle hand” but they are determined that their recalcitrant son WILL marry by his 21st birthday, according to the law. Looking for a character with a big personality who performs their musical number with comic aplomb. (Possible inspirations: Queen Charlotte from Bridgerton, Kevin Hart, Robin Williams, Amy Schumer, Beyonce, Judy Dench, Steve Carrell, Leslie Jones, Kristin Wiig, etc.)

STEPMAMA (Female, Age presenting 30+) Just adores her daughters, but Cinderella? Not so much. Stepmama considers herself beautiful, refined and cultured—a stark contrast to what others see. An actor with comedy chops and a lot of attitude!

THE STEPSISTERS: HENRIETTA and GERTRUDE (Female, Age presenting 20+) These scene-stealers delight our audiences every year. There are minor differences between the young ladies. HENRIETTA is the oldest and “wisest,” whereas GERTRUDE is “prettier” and ditzier. Two actors with broad comic style, including some physical comedy.

FAIRY GODMOTHER (Female, Age presenting 25+) A clever, energetic fairy with a sparkly wand, magical incantations, and a few unexpected tricks up her sleeve. She takes Cinderella under her wing, blending magic with a bit of motherly advice. Soprano.

THE HELPERS: SUGAR and SPICE (Any gender, Age presenting Teen+) Fairy Godmother’s assistants who help her screen potential recipients of magical aid, run errands around the kingdom, and disguise themselves as mortals when necessary. Two actors with good humor, playful nature, ability to improvise, and some ability to dance.

PAGES (Any gender, Age presenting Teen+) Two loyal assistants who accompany the Royals and are their “backups” for a musical number.

SCRIBES (Any gender, Age presenting Teen+) Gossip writers who report on what goes on in court. The “reporters” of the era.

TOWN KIDS, MICE & HORSES (Children Ages 7-12) Looking for 4. Can you dance like a regular kid? Can you sing like a little mouse? Can you trot around the stage like a horse—neighing and shaking your long silky mane? Versatile youths.

ENSEMBLE (All genders, Ages 15+) Townsfolk liven up the village square, singing and swaying to a lively holiday tune. When in attendance at the Castle ballroom, they appear as proper court nobles in beautiful outfits, performing traditional ballroom dances that are fun and easy to learn: Polonaise, Waltz, Minuet, and the ever-popular Sneeze Polka.
About the auditions
Please prepare 16-32 bars of a song in the style of the show. An accompanist will be provided. Please no pre-recorded music. Please come ready to move, as part of the audition will include dancing.

All auditionees should arrive ten minutes before the time they are signed up to help with check in. There are TWO general audition days. You need only attend ONE.

Please sign up for an audition slot using this form.

A callback list will be posted by 12pm on October 8. All auditionees who are called back will be asked to read and sing from provided selections of the script, and to dance a piece of choreography that will be taught at the callbacks.

Questions about auditions? Contact info@raleighlittletheatre.org.

If you need any specific accommodations to audition, please don’t hesitate to reach out to info@raleighlittletheatre.org to make your request. Examples of accommodations made in the past are: wheelchair accessible audition space, large print materials, prompters in the audition room, and volunteers to help fill out forms.

Volunteer Access Fund
RLT is committed to helping all members of our community take part in creating theatre here. The Volunteer Access Fund offers support with some of the expenses that can make volunteering harder to access. If this would make participating easier for you, we hope you’ll apply.

The post Raleigh Little Theatre announces auditions for Cinderella appeared first on North Carolina Theatre Conference.

The Green Room Community Theatre (TGR) seeks a full-time Scenic Designer & Master Carpenter to lead scenic design and construction for all productions. This role combines creative scenic design with hands-on carpentry and technical leadership in a nonprofit, community-focused theatre.

Position Overview
The Scenic Designer & Master Carpenter serves as the primary scenic and construction lead, working directly with directors and production teams to translate artistic vision into safe, functional, and visually compelling stage environments. This role works closely with creative teams, production manager, and volunteers to ensure safe and efficient productions.

Key Responsibilities

• Design scenery supporting the artistic vision of each production
• Create scenic concepts, drawings, and build plans
• Construct, install, modify, maintain, and strike scenic elements
• Build platforms, flats, stairs, and specialty scenic pieces
• Maintain scenic inventory, tools, and shop organization
• Ensure all scenic work meets safety standards
• Integrate scenery with lighting, sound, props, and stage operations
• Collaborate with directors, designers, and production staff
• Supervise and mentor volunteers and crews

Qualifications

• Experience in scenic design and theatrical carpentry
• Strong construction skills and tool proficiency
• Basic understanding of technical theatre systems
• Ability to manage scenic work independently
• Knowledge of theatre safety standards
• Strong communication and leadership skills
• Evening and weekend availability

Physical Requirements
Ability to lift up to 50 lbs; work at heights; and stand, climb, and work backstage for extended periods.

How to Apply
Submit a brief cover letter and resume to haley@thegreenroomtheatre.org
Subject line: Scenic Designer / Master Carpenter Application

Full-time, salaried position. Salary is commensurate with experience. Starting salary range: $40,000.

Screening will begin immediately and continue until the position is filled.

The post The Green Room Community Theatre seeks Scenic Designer & Master Carpenter appeared first on North Carolina Theatre Conference.

Non-Equity | Paid | Immersive Theatre

PROJECT DESCRIPTION

Casting fearless comedic performers who love improvisation, immersive theatre and making audiences laugh. This fast-paced interactive comedy keeps actors on their feet all night, blending scripted scenes with audience interaction in the world of Clue.

From the creators of “The Magicians Table” and “Clue: A Walking Mystery” comes “Clue: Murder on the Menu,” a one-of-a-kind, fully immersive murder mystery dinner where guests don’t just watch the story, they become part of the investigation.

Set inside the iconic world of Clue, this fast-paced comedic experience combines dinner, live theatre, improvisation and interactive gameplay as audiences interrogate suspects, solve puzzles and race to uncover the killer.

This production is highly immersive. Performers remain in character throughout the evening, frequently interacting directly with guests, improvising around audience responses and moving throughout the venue.

Performers should be comfortable: Working in immersive theatre; speaking with audience members one-on-one and in groups; improvising while maintaining character; delivering fast-paced comedy; collaborating closely as an ensemble; experience in immersive theatre, comedy, improv, theme park performance or murder mystery entertainment is strongly encouraged but not required.

Opening at Blume Studios (Charlotte, NC)

Run: October 9 – November 22

Casting Roles (travel, housing & per diem provided):

• Peacock
• Professor Plum
• Chef White
• Colonel Mustard
• Mayor Green
• Miss Scarlett

Compensation: Paid (Non-Equity), est. $1,200/wk for 10 weeks of work

SEEKING

SOLICITOR PEACOCK
Ideally Latina. Female-presenting. 30–60s.

A razor-sharp criminal defense attorney with absolutely no moral filter. Brilliant, intimidating, flamboyant and hilariously unapologetic. Peacock possesses the confidence of someone who always believes they’re the smartest person in the room. Delivers biting one-liners, relishes verbal sparring and treats every interaction like a courtroom cross-examination. The role demands impeccable comic timing and fearless audience engagement.

Seeking a commanding comedic performer with exceptional improvisational skills and strong presence.

PROFESSOR PLUM
Ideally African American. Male-presenting. 30–50s.

An eccentric academic whose confidence vastly exceeds his common sense. Equal parts intellectual, flirtatious and completely ridiculous, Plum can launch into scholarly brilliance one moment before fainting at the sight of blood the next. A gifted physical comedian with rapid-fire wit who plays the absurdity with complete sincerity.

Strong physical comedy, improvisation, and character work required.

COLONEL MUSTARD
Any ethnicity. Male-presenting. 40–60s.

A gruff former military officer convinced he remains the toughest person alive. Blunt, bombastic and proudly old-fashioned, Mustard approaches every situation with absolute confidence—even when he’s spectacularly wrong. A lovable blowhard with impeccable deadpan delivery and excellent comic instincts.

Seeking an actor with strong comic authority and improvisational confidence.

MAYOR GREEN
Ideally Asian. Male-presenting. 30–50s.

A slick politician who believes every room is a campaign stop. Charismatic, endlessly optimistic and slightly slippery, Green is always selling something—even during a murder investigation. Equal parts politician, salesman and opportunist, he thrives on audience interaction and quick improvisation.

Strong improviser with natural charisma and excellent audience engagement skills.

MISS SCARLETT 
Ideally African American. Female-presenting. 20s–40s.

A sharp-tongued journalist who never misses an opportunity for a headline. Fearless, witty and effortlessly cool, Scarlett is often the smartest person in the room and certainly knows it. She cuts through nonsense with biting sarcasm while constantly chasing the next great story. Fast-thinking, confident and highly interactive with audiences.

Seeking an actor with razor-sharp comedic timing, confidence, and strong improvisational ability.

This production is highly immersive. Performers remain in character throughout the evening, frequently interacting directly with guests, improvising around audience responses and moving throughout the venue. Performers should be comfortable:

• Working in immersive theatre
• Speaking with audience members one-on-one and in groups
• Improvising while maintaining character
• Delivering fast-paced comedy
• Collaborating closely as an ensemble

Experience in immersive theatre, comedy, improv, theme park performance, or murder mystery entertainment is strongly encouraged but not required.

Anyone interested in auditioning can email Arwyn@rightangleent.com.

The post Blumenthal Arts announces auditions for Clue: Murder on the Menu appeared first on North Carolina Theatre Conference.

Aug 30th & 31st @ 6:30pm
(Potential Callbacks Sept 1st)

Auditions will consist of cold reads from the script and some introductory puppetry work shopping (for applicable characters).

All performance roles are volunteer.

PERFORMANCES
Fireman’s Kitchen @ HCT
October 16 – 31, 2026
Fridays and Saturdays at 7:30 pm
Sundays at 2:30 pm
Thursday (Oct 29) at 7:30 pm

ABOUT THE SHOW
After the death of his father, meek Jason finds an outlet for his anxiety at the Christian Puppet Ministry, in the devoutly religious, relatively quiet small town of Cypress, Texas. Jason’s complicated relationships with the town pastor, the school bully, the girl next door, and – most especially – his mother are thrown into upheaval when Jason’s puppet, Tyrone, takes on a shocking and dangerously irreverent personality all its own. HAND TO GOD explores the startlingly fragile nature of faith, morality, and the ties that bind us.

CHARACTER BREAKDOWNS
& Roles and requirements:

(While the characters of JASON, TIMOTHY, and JESSICA are 17 in the context of the script, due to the subject matter, only performers 18+ will be cast)

JASON/TYRONE – Male Presenting
Jason is timid, grieving the sudden death of his father, and trying to be a good son. Tyrone is his hand puppet, who seemingly takes on a devilish, foul-mouthed life of his own to express Jason’s repressed anger and darkest impulses.

TIMOTHY (Timmy) – Male Presenting
The high school “alpha male” and neighborhood troublemaker. He is aggressive and impulsive but is fundamentally insecure and hides deep emotional pain. He is not the sharpest knife in the drawer, but his provocative actions disrupt the church group.

JESSICA – Female Presenting
The girl next door and a high school outsider. She is intelligent, deadpan, and fiercely observant. She is unafraid of the chaos happening around her and brings moments of grounding intelligence to the madness.

MARGERY – (30-50) Female Presenting
Jason’s mother. She is deeply stressed, struggling with her own recent widowhood, and desperately trying to keep control of her life and the church puppet ministry. Beneath her devout, church-going exterior lies a powder keg of grief, intense sexuality, and frustration.

PASTOR GREG – (35-50) Male Presenting
The local minister. He is well-meaning but ultimately ineffective and a bit of a buffoon. He is heavily invested in keeping up appearances in a conservative Texas town, while also nursing his own inappropriate romantic interests and loneliness.

Hickory Community Theatre encourages people of all races, ethnicities, identities, body types, physical and cognitive abilities to audition. Theatre is for everyone, and HCT believes in representation and equity for all.

The post Hickory Community Theatre announces auditions for Hand to God appeared first on North Carolina Theatre Conference.

Frankenstein written by Nick Dear and directed by Dee Abdullah.
Performances will be held at Theatre Charlotte from Oct. 30 – Nov. 15, 2026.

AUDITION AND SIGN UP DETAILS
Auditions will be held in person on Sunday, August 23rd and Monday, August 24th from 6:00pm to 9:00pm at St. Mark’s Lutheran Church located at 1001 Queens Road, Charlotte, NC 28207.

Please sign up for an audition time and fill out an audition form here.

During your audition time, you will read scenes from the script and you may be asked to stay beyond your audition time to read with others. You may be asked to show movement or physicality related to a role you are auditioning for (see notes below), however, acts of intimacy and physical contact with other auditionees is not required. Sides will not be available in advance.

If you are unable to attend auditions in person, please contact Chris at chris@theatrecharlotte.org regarding a video audition.

Theatre Charlotte is a volunteer-based organization and all positions are unpaid.

REHEARSALS
Rehearsals are typically Sunday through Thursdays from 6pm until 9:30pm. There may be an occasional Saturday rehearsal later in the process.

ABOUT FRANKENSTEIN
Told through the eyes of the abandoned Creature, this bold gothic retelling follows a life born innocent and curious, only to be rejected by the very man who made him. Alone in a world that fears and despises him, his yearning for connection spirals into rage and revenge. Determined to confront his creator, he hunts him down to demand a terrifying bargain. Visceral and haunting, this powerful production explores the explosive bond between maker and creation, confronting us with urgent questions of responsibility, belonging, and what it truly means to be human. In the end, Frankenstein dares us to decide: who is the real monster?

AVAILABLE ROLES
Note that ages are suggested and performers should be able to portray the age range of the character. Some actors will be playing multiple characters and some roles may be understudied. All adult roles should be played by people over the age of 18.

THE CREATURE (Male presenting):
An intimidating presence with a childlike curiosity, he is shaped by the people and circumstances around him. Seeking someone with the ability to show emotion through stretches without dialogue and must be able to emote through physicality. This is a physically demanding role.

Intimacy: must be comfortable dressed in a loincloth and will portray raping Elizabeth (without nudity). Also may be asked to touch Elizabeth’s chest with her clothes on. Physical violence includes choking or hitting other characters.

VICTOR FRANKENSTEIN (Male Presenting, 20s-40s): A scientist who is consumed with his work and reputation. Driven by ego and the desire to create life.

Intimacy: May share a kiss with Elizabeth. May touch Elizabeth with her clothes on.

GRETEL (Female Presenting, 20s-60s) A woman of the streets doing what she can to make ends meet.

Intimacy: Simulated attack by her customer.

GUSTAV (Male Presenting, 30s-50s.): A beggar and informant. Partner to Klaus.

KLAUS (Male Presenting, 20s-50s): A beggar and partner to Klaus. He is likely the sidekick.

DE LACEY (Male Presenting, 50s – 60s): A blind man who serves as the Creature’s primary teacher. He is trusting and kind.

FELIX (Male Presenting, 20s-40s): De Lacey’s son and husband to Agatha. He is intense and cares greatly for his family.

Intimacy: May share a playful kiss or touch with Agatha.

AGATHA (Female Presenting, 20s-30s): Felix’s wife. She is an optimist.

Intimacy: May share a playful kiss or touch with Felix.

FEMALE CREATURE (Female Presenting, 20s – 40s): A partner created in the image of the Creature. This is a non-speaking role and includes a scene showcasing movement in a unique way.

Intimacy: Must be comfortable wearing minimal clothing to cover private parts. Nudity is not necessary.

ELIZABETH (Female Presenting, 20’s – 30’s): Victor’s fiancée. She is smart, compassionate and eager to build a life with Victor.

Intimacy: May share a kiss or touch with Victor. She is raped by the Creature. No nudity.

WILLIAM FRANKENSTEIN (Male Presenting, 10 – 15): Victor’s younger brother. An innocent, playful and curious child.

MONSIEUR FRANKENSTEIN (Male Presenting, 50’s – 60’s): Victor and William’s father. A traditional and stern judge.

CLARICE (Female Presenting, 20’s – 50’s): Elizabeth’s maid. Caring and dutiful, yet blunt.

EWAN (Male Presenting, 30’s – 50’s): An Orkney Islander who supplies Victor with essentials for creating the Female Creature. He is willing to compromise his morals for money.

RAB (Male Presenting, 20’s – 40’s): An Orkney Islander who is cautious and does not approve of Victor’s work. He refers to Ewan as Uncle Ewan and is obligated to help him.

ENSEMBLE (Male and Female presenting roles, 20’s – 60’s): Will play townspeople, attendants, the constable and others. Some of these roles may be non-speaking roles.

Theatre is full of magic that vibrates throughout the essence of art, imagination, culture, and history. We strive to provide theatre to our community and our city that is saturated in excellence, community, experience, inclusion, and influence. Our goal is to mount productions that reflect the growth and beauty of the diversity of Charlotte and we sincerely hope that our friends in the BIPOC and LGBTQIA+ communities will consider joining us for auditions for Frankenstein.

The post Theatre Charlotte announces auditions for Frankenstein appeared first on North Carolina Theatre Conference.